Quick Answer

Studies that combine first and third position help violists learn shifting more naturally by connecting familiar notes with new hand positions. Instead of treating third position as completely separate from first position, mixed-position exercises help students understand how notes and finger patterns relate across the fingerboard.

First- and third-position studies can help violists:

  • improve shifting accuracy
  • strengthen intonation
  • develop fingerboard awareness
  • build confidence moving between positions
  • prepare for intermediate viola repertoire

Carefully structured position studies often make third position feel much less intimidating for developing violists.

Learn to Play Wohlfahrt Etude No. 39 on the Viola

The exercises below give you shifting, position, and bowing exercises that help you master this intermediate viola etude.

Teaching is often an act of quiet service.

When I went to research more about Franz Wohlfahrt’s life, I discovered that he was the son of a piano teacher. He himself studied with Ferdinand David. He wrote books for his students. And that’s about all there is; Franz Wohlfahrt seems to have lived a life outside of the history books.

However,

When I went to research more about Franz Wohlfahrt’s life, I discovered that he was the son of a piano teacher. He himself studied with Ferdinand David. He wrote books for his students. And that’s about all there is; Franz Wohlfahrt seems to have lived a life outside of the history books.

Here are some free preparatory exercises for Wohlfahrt’s Etude No. 39 (Op. 45)!

These exercises help you work on third position, string crossing, intonation, and more. At the end of this mini book, the complete etude is included. 

How these free exercises work

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Wohlfahrt Viola Exercises, Step 1

Free Viola Studies on Wohlfahrt Etude No. 39 Op. 45 page 1

Wohlfahrt Viola Exercises, Steps 2, 3

Free Viola Studies on Wohlfahrt Etude No. 39 Op. 45 page 2

Wohlfahrt Viola Exercises, Steps 4, 5

Free Viola Studies on Wohlfahrt Etude No. 39 Op. 45 page 3

Wohlfahrt Viola Exercises, Steps 6, 7

Free Viola Studies on Wohlfahrt Etude No. 39 Op. 45 page 4

Wohlfahrt Viola Exercises, Steps 8, 9

Free Viola Studies on Wohlfahrt Etude No. 39 Op. 45 page 5

Wohlfahrt Viola Exercises, Steps 10, 11

Free Viola Studies on Wohlfahrt Etude No. 39 Op. 45 page 6

Wohlfahrt Viola Exercises, Steps 12, 13

Free Viola Studies on Wohlfahrt Etude No. 39 Op. 45 page 7

Wohlfahrt Viola Exercises, Step 14

Free Viola Studies on Wohlfahrt Etude No. 39 Op. 45 page 8

Wohlfahrt Viola Exercises, Steps 15, 16

Free Viola Studies on Wohlfahrt Etude No. 39 Op. 45 page 9

Wohlfahrt Viola Exercises, Step 17

Free Viola Studies on Wohlfahrt Etude No. 39 Op. 45 page 10

Wohlfahrt Viola Exercises, Step 18

Free Viola Studies on Wohlfahrt Etude No. 39 Op. 45 page 11

Wohlfahrt Viola Exercises, Step 18 cont.

Free Viola Studies on Wohlfahrt Etude No. 39 Op. 45 page 12

Wohlfahrt Etude No. 39 for Viola, Page 1

Free Viola Studies on Wohlfahrt Etude No. 39 Op. 45 page 13

Wohlfahrt Etude No. 39 for Viola, Page 2

Free Viola Studies on Wohlfahrt Etude No. 39 Op. 45 page 14

Here are some books at this level that you could study along with the Wohlfahrt Etude!

Frequently Asked Questions

Why should violists study first and third position together?

Studying first and third position together helps violists connect familiar note patterns with new hand placements on the fingerboard. This approach often makes shifting feel more logical and secure because students learn how notes relate between positions instead of memorizing isolated patterns.


Why is third position important on the viola?

Third position helps violists expand their range, improve tone consistency, reduce unnecessary string crossings, and prepare for more advanced repertoire. Many teachers introduce third position early because it is relatively stable and easier to hear in tune than some higher positions.


How can violists improve shifting between first and third position?

Many violists improve shifting by:

  • practicing slowly
  • using guide fingers
  • repeating short shifting patterns
  • comparing notes between positions
  • focusing carefully on intonation
  • keeping the left hand relaxed
  • practicing scales and studies in both positions

Short daily shifting exercises are often more effective than occasional long practice sessions. 

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